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The Film Experience, Fall 2013
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This course concentrates on close analysis and criticism of a wide range of films, including works from the early silent period, documentary and avant-garde films, European art cinema, and contemporary Hollywood fare. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship. Syllabus varies from term to term, but usually includes such directors as Coppola, Eisentein, Fellini, Godard, Griffith, Hawks, Hitchcock, Kubrick, Kurosawa, Tarantino, Welles, Wiseman, and Zhang.

Subject:
Arts and Humanities
History
U.S. History
Material Type:
Full Course
Provider:
MIT
Provider Set:
MIT OpenCourseWare
Author:
David Thorburn
Date Added:
01/01/2013
U.S. History, The Jazz Age: Redefining the Nation, 1919-1929, Prosperity and the Production of Popular Entertainment
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CC BY
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By the end of this section, you will be able to:

Discuss the role of movies in the evolution of American culture
Explain the rise of sports as a dominant social force
Analyze the ways in which the automobile, especially the Model T, transformed American life

Subject:
Social Science
Material Type:
Module
Date Added:
09/21/2018
Visual Histories: German Cinema 1945 to Present, Fall 2003
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CC BY-NC-SA
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This course is an invitation to German film-making since the end of the Second World War. We investigate how German cinema captured the atmosphere of the immediate post-war years and discuss extensively major works of the "New German Cinema" of the Sixties and Seventies. We also look at examples of East Germany's film production and finally observe the very different roads German cinema has been taking from the 1990's into the present.

Subject:
Career and Technical Education
Film and Music Production
Material Type:
Full Course
Provider:
MIT
Provider Set:
MIT OpenCourseWare
Author:
Widdig, Bernd
Date Added:
01/01/2003