Today we live in a world that is extremely and irreversibly global. Our marketplaces offer seemingly limitless products from around the world. People utilize the Internet in order to connect to a body of collective learning previously unseen in history. This is in stark contrast to the origin of small hunting and gathering bands of Homo sapiens on the plains of East Africa. that existed close to 200,000 years ago. From these origins, Homo sapiens gradually migrated throughout the world. This lengthy journey culminated 14,000 years ago, with the human colonization of the last region of the earth, the Southern Cone of Argentina. At the end of this lengthy process of migration, the earth was divided into four distinct areas called world zones.

The Industrial Revolution (ca. 1750-1900) may have involved fewer beheadings per capita than preceding political revolutions, but it was certainly transformative for people in all walks of life. In Europe, feudalism was a thing of the past, but without modern forms of transportation, the average person still had to rely on their local community for the production of food and durable goods. Prior to industrialization, most people lived as farmers; life revolved around subsistence agriculture. People worked the land with simple, homemade tools to grow their own food. Production of goods (clothing, for example) happened on a small scale, often within workers’ homes. Trade happened on a small scale within communities. Life expectancy was short, although it had increased at a slow rate since the Middle Ages. All of this, however, would change dramatically as the Industrial Revolution started in Great Britain and caused sweeping changes around the world. This global event transformed how people worked, played, traded and traveled. It changed politics, economics, and family structures and continues to shape our world today.

This chapter introduces students to the basics of reading literature. It introduces students to subjective and objective reading, and goes over the basic ideas behind reading for plot, character, setting, and theme. Learning objectives are: Ask subjective and objective questions about what they have read; Learn the meanings of “tone,” “diction,” and “syntax.”; Identify the major elements of a plot; Identify character, setting, and theme; Differentiate between internal and external conflict.

Subject focused on the ways writers transform experience into finished and polished writing in the forms of memoir, autobiography, and essay. Frequent writing assignments, regular revisions, and short oral presentations are required. Readings and specific writing assignments vary by section. See subject's URL for enhanced section descriptions. Emphasis is on developing students' ability to write clear and effective prose. Students can expect to write frequently, to give and receive response to work in progress, to improve their writing by revising, to read the work of accomplished writers, and to participate actively in class discussions and workshops.

Exploration of formal and informal modes of writing nonfiction prose. Extensive practice in composition, revision, and editing. Reading in the literature of the essay from the Renaissance to the present, with an emphasis on modern writers. Classes alternate between discussion of published readings and workshops on student work. Individual conferences. This is a course focused on the literary genre of the essay, that wide-ranging, elastic, and currently very popular form that attracts not only nonfiction writers but also fiction writers, poets, scientists, physicians, and others to write in the form, and readers of every stripe to read it. Some say we are living in era in which the essay is enjoying a renaissance; certainly essays, both short and long, are at present easier to get published than are short stories or novels, and essays are featured regularly and prominently in the mainstream press (both magazines and newspapers) and on the New York Times bestseller books list. But the essay has a history, too, a long one, which goes back at least to the sixteenth-century French writer Montaigne, generally considered the progenitor of the form. It will be our task, and I hope our pleasure, to investigate the possibilities of the essay together this semester, both by reading and by writing.

This course seeks to provide a supportive context for students to grow significantly as writers by discovering and engaging with issues that matter to them. Writing on social and ethical issues, we can see ourselves within a tradition of authors such as Charles Dickens, Frederick Douglass, Elizabeth Cady Stanton, George Orwell, Rachel Carson, John F. Kennedy and Martin Luther King, Jr., who have used the power of the pen to inspire social change.

Scott McLean’s Writing for Success is a text that provides instruction in steps, builds writing, reading, and critical thinking, and combines comprehensive grammar review with an introduction to paragraph writing and composition. Beginning with the sentence and its essential elements, this book addresses each concept with clear, concise and effective examples that are immediately reinforced with exercises and opportunities to demonstrate, and reinforce, learning. Scott McLean is the Shadle-EdgeCombe Endowed Faculty Chair at Arizona Western College. He serves as the Professor of Communication, including Journalism and English, for a combined campus partnership with the University of Arizona and Northern Arizona University-Yuma. Scott is the author of "The Basics of Speech Communication" and "The Basics of Interpersonal Communication," both currently published by Allyn & Bacon.

Writing in College is designed for students who have largely mastered high-school level conventions of formal academic writing and are now moving beyond the five-paragraph essay to more advanced engagement with text. It is well suited to composition courses or first-year seminars and valuable as a supplemental or recommended text in other writing-intensive classes. It provides a friendly, down-to-earth introduction to professors’ goals and expectations, demystifying the norms of the academy and how they shape college writing assignments. Each of the nine chapters can be read separately, and each includes suggested exercises to bring the main messages to life. Students will find in Writing in College a warm invitation to join the academic community as novice scholars and to approach writing as a meaningful medium of thought and communication. With concise discussions, clear multidisciplinary examples, and empathy for the challenges of student life, Guptill conveys a welcoming tone. In addition, ...