This pathway outlines blended steps that lead students through analysis of words, sounds and visuals around Michael Jackson's "Man in the Mirror" song and video.  The concept of empathy will be introduced and will carry thematically throughout the entire unit.  Students will learn abou tthe literary terms: 

Theme, symbolism, imagery, repetition, annotation, connotation, denotation

This course investigates the uses and boundaries of fiction in a range of novels and narrative styles--traditional and innovative, western and nonwestern--and raises questions about the pleasures and meanings of verbal texts in different cultures, times, and forms. Toward the end of the term, we will be particularly concerned with the relationship between art and war in a diverse selection of works.

This pathway is an introduction to short story with a focus on the literary terms and devices of characterization, theme, juxtaposition, setting, structure, alliteration and diction.  By the end of this unit, students will be able to summarize and analyze the listed elements of short story.  Students will be asked to identify important words and explain why these words are significant to the overall message.  Students will engage with both text and visual representations to foster discussions about how diction and images influence meaning.  Finally, students will compare and contrast "The Last Flower" literary elements with another self-chosen short story.

Students align original FSA photographs from the 1930s and the author's own journal entries, to trace parallel elements John Steinbeck then incorporated into passages in The Grapes of Wrath.

In this lesson, students will explore Dickinson's poem "Safe in their Alabaster Chambers" both as it was published as well as how it developed through Dickinson's correspondence with her sister-in-law Susan Huntington Gilbert Dickinson.

By studying other female characters in "The Awakening," students will see how Chopin carefully provides many examples of a socially acceptable "role" that Edna could adopt.

Lesson 3 guides students through Melville's seamless integration of several literary genres"”sermon, scientific writing, drama, and hymn"”and moves into an analytical discussion of "Moby-Dick" as a masterwork that goes above and beyond the appeal of its fictional genre.

Long perceived as a recluse who wrote purely in isolation, Emily Dickinson in reality maintained many dynamic correspondences throughout her lifetime and specifically sought out dialogues on her poetry. These correspondences"”both professional and private"”reveal a poet keenly aware of the interdependent relationship between poet and reader.

Poet. Orator. Actress. Activist. Writer. Singer. Phenomenal Woman. These and many more superlatives are used to describe the incomparable Maya Angelou. Gone too soon in 2014 at the age of 86, Dr. Angelou's legacy will live on through the words she used to eloquently, powerfully, and honestly express emotions, capture experiences, and spread hope.

This course is an introduction to many of the central issues in a branch of philosophy called philosophy of mind.

Lesson OverviewIn this lesson, students will be introduced to Edgar Allan Poe's theory on the “single effect” of the short story. They will read a passage from Poe as well as his short story “The Tell-Tale Heart.”Lesson PreparationRead the lesson and student content.Anticipate student difficulties and identify the differentiation options you will choose for working with your students.Decide how you will put students in pairs for the lesson's tasks.

Poets achieve popular acclaim only when they express clear and widely shared emotions with a forceful, distinctive, and memorable voice. But what is meant by voice in poetry, and what qualities have made the voice of Langston Hughes a favorite for so many people?

Lorraine Hansberry's A Raisin in the Sun provides a compelling and honest look into one family's aspirations to move to another Chicago neighborhood and the thunderous crash of a reality that raises questions about for whom the "American Dream" is accessible.

""Reading Poetry" has several aims: primarily, to increase the ways you can become more engaged and curious readers of poetry; to increase your confidence as writers thinking about literary texts; and to provide you with the language for literary description. The course is not designed as a historical survey course but rather as an introductory approach to poetry from various directions -- as public or private utterances; as arranged imaginative shapes; and as psychological worlds, for example. One perspective offered is that poetry offers intellectual, moral and linguistic pleasures as well as difficulties to our private lives as readers and to our public lives as writers. Expect to hear and read poems aloud and to memorize lines; the class format will be group discussion, occasional lecture."

How do you read a poem? Intuition is not the only answer. In this class, we will investigate some of the formal tools poets use—meter, sound, syntax, word-choice, and other properties of language—as well as exploring a range of approaches to reading poetry, from the old (memorization and reading out loud) to the new (digitally enabled visualization and annotation). We will use readings available online via the generosity of the Poetry Foundation and the Academy of American Poets. We will also think collectively about how to approach difficult poems.

A free mini-book to prepare students for the SAT exam with lessons and questions in math, reading, and writing.

A free mini-book to prepare students for the SAT exam with lessons and questions in math, reading, and writing.

What if Shakespeare's Julius Caesar was set in a modern and newly independent nation? What do citizens look for in a leader? In this lesson, students not only consider the significance of this updated staging and political quandary, but will address important questions about how and why Shakespeare is adopted, adapted, and appropriated by people around the world in order for them to express their own political and social concerns through the universal language of Shakespeare.

Students search an online version of Shakespeare's Macbeth for clues to the motives behind Macbeth's precipitous descent into evil.

By means of group performances, writing exercises, and online search activities, students learn about the sometimes dangerous and destructive powers of language, particularly when wielded by such an eloquent and unscrupulous character as Shakespeare's Iago.