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  • Composition and Rhetoric
A Wrinkle in Time
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CC BY-NC-SA
A Wrinkle in Time
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In this culminating unit of fifth grade, students read the classic text A Wrinkle in Time. Over the course of the novel, students explore the nuances of good versus evil and how ultimately unconditional love can overpower darkness and hate. Students will also experience the power of believing in oneself and trusting those around you, by watching the main character’s self-confidence evolve over the course of the novel. This novel is the first science fiction novel that students are exposed to over the course of the curriculum. Exposing students to science fiction is important for not only building engagement and reaching a variety of readers, but also for exploring common themes across multiple genres. It is our hope that this novel, in connection with others in the sequence, empowers students to believe in themselves and the power of love and kindness. It is also our hope that this unit inspires students to read and engage with books from a wide range of genres.

As noted above, A Wrinkle in Time is the first science fiction novel that students read and analyze together. Therefore, over the course of the novel, students will be pushed to notice and analyze different genre features. In particular, the multiple settings are integral for both the development of plot and the suspense and intrigue common in science fiction. As a result, students will have multiple opportunities to compare and contrast the different settings. In this unit, students will also spend a lot of time analyzing and noticing author’s craft, particularly the use of sentence structure and syntax as a way to develop tone and emotion. Paired with the graphic novel version of the text, students will also compare and contrast the way Madeleine L’Engle uses description and voice to develop a scene versus how the graphic novel develops a scene. Since this is the culminating unit of the year, students will also review characterization, theme, using context clues to figure out the meaning of words, and plot.

Subject:
Composition and Rhetoric
English Language Arts
Language, Grammar and Vocabulary
Reading Foundation Skills
Reading Literature
Speaking and Listening
Material Type:
Assessment
Homework/Assignment
Lesson Plan
Unit of Study
Provider:
Match Fishtank
Provider Set:
Fishtank ELA
Date Added:
01/01/2017
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Writing Activities
Conditional Remix & Share Permitted
CC BY-SA
Writing Activities
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FreeReading is an open source instructional program that helps educators teach early literacy. Because it is open source, it represents the collective wisdom of a wide community of teachers and researchers. FreeReading contains Writing Activities, a page of activities to address important writing skills and strategies.

Subject:
Composition and Rhetoric
English Language Arts
Material Type:
Activity/Lab
Lesson Plan
Reading
Teaching/Learning Strategy
Provider:
Wireless Generation
Provider Set:
FreeReading
Author:
Holt Laurence et al
Date Added:
08/10/2020
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Writing and Rhetoric: Rhetoric and Contemporary Issues, Fall 2015
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CC BY-NC-SA
Writing and Rhetoric: Rhetoric and Contemporary Issues, Fall 2015
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This course seeks to provide a supportive context for students to grow significantly as writers by discovering and engaging with issues that matter to them. Writing on social and ethical issues, we can see ourselves within a tradition of authors such as Charles Dickens, Frederick Douglass, Elizabeth Cady Stanton, George Orwell, Rachel Carson, John F. Kennedy and Martin Luther King, Jr., who have used the power of the pen to inspire social change.

Subject:
Composition and Rhetoric
English Language Arts
Material Type:
Full Course
Provider:
MIT
Provider Set:
MIT OpenCourseWare
Author:
Andrea
Walsh
Date Added:
01/01/2015
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Writing in College: From Competence to Excellence | Open SUNY Textbooks
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CC BY-NC-SA
Writing in College: From Competence to Excellence | Open SUNY Textbooks
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Writing in College is designed for students who have largely mastered high-school level conventions of formal academic writing and are now moving beyond the five-paragraph essay to more advanced engagement with text. It is well suited to composition courses or first-year seminars and valuable as a supplemental or recommended text in other writing-intensive classes. It provides a friendly, down-to-earth introduction to professors’ goals and expectations, demystifying the norms of the academy and how they shape college writing assignments. Each of the nine chapters can be read separately, and each includes suggested exercises to bring the main messages to life. Students will find in Writing in College a warm invitation to join the academic community as novice scholars and to approach writing as a meaningful medium of thought and communication. With concise discussions, clear multidisciplinary examples, and empathy for the challenges of student life, Guptill conveys a welcoming tone. In addition, ...

Subject:
Composition and Rhetoric
English Language Arts
Material Type:
Reading
Textbook
Unit of Study
Provider:
State University of New York
Provider Set:
OpenSUNY Textbooks
Author:
Amy Guptill
Date Added:
01/19/2016
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Writing with Shakespeare, Fall 2010
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CC BY-NC-SA
Writing with Shakespeare, Fall 2010
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William Shakespeare didn't go to college. If he time-traveled like Dr. Who, he would be stunned to find his words on a university syllabus. However, he would not be surprised at the way we will be using those words in this class, because the study of rhetoric was essential to all education in his day. At Oxford, William Gager argued that drama allowed undergraduates "to try their voices and confirm their memories, and to frame their speech and conform it to convenient action": in other words, drama was useful. Shakespeare's fellow playwright Thomas Heywood similarly recalled: In the time of my residence in Cambridge, I have seen Tragedies, Comedies, Histories, Pastorals and Shows, publicly acted…: this is held necessary for the emboldening of their Junior scholars, to arm them with audacity, against they come to be employed in any public exercise, as in the reading of Dialectic, Rhetoric, Ethic, Mathematic, the Physic, or Metaphysic Lectures. Such practice made a student able to "frame a sufficient argument to prove his questions, or defend any axioma, to distinguish of any Dilemma and be able to moderate in any Argumentation whatsoever" (Apology for Actors, 1612). In this class, we will use Shakespeare's own words to arm you "with audacity" and a similar ability to make logical, compelling arguments, in speech and in writing. Shakespeare used his ears and eyes to learn the craft of telling stories to the public in the popular form of theater. He also published two long narrative poems, which he dedicated to an aristocrat, and wrote sonnets to share "among his private friends" (so wrote Francis Meres in his Palladis Tamia, 1598). Varying his style to suit different audiences and occasions, and borrowing copiously from what he read, Shakespeare nevertheless found a voice all his own–so much so that his words are now, as his fellow playwright Ben Jonson foretold, "not of an age, but for all time." Reading, listening, analyzing, appreciating, criticizing, remembering: we will engage with these words in many ways, and will see how words can become ideas, habits of thought, indicators of emotion, and a means to transform the world.

Subject:
Arts and Humanities
Composition and Rhetoric
English Language Arts
Literature
Material Type:
Full Course
Provider:
MIT
Provider Set:
MIT OpenCourseWare
Author:
Henderson, Diana
Date Added:
01/01/2010
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You, Writing! A Guide to College Composition
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CC BY-NC-SA
You, Writing! A Guide to College Composition
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This text is meant to be used in any first year College Composition class or as a general guide to college writing. The book focuses on writing as a process, not a product. The goal is to help students discover their own writing process, trying out different methods and strategies to find what works best for them.

Subject:
Composition and Rhetoric
English Language Arts
Material Type:
Textbook
Provider:
Minnesota State Opendora
Author:
Alexandra Glynn
Amy Jo Swing
Kelli Hallsten-Erickson
Date Added:
08/10/2020
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Zapato Power
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CC BY-NC-SA
Zapato Power
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In this unit, students continue to explore the characteristics of chapter books by reading and engaging with the beginning chapter book series Zapato Power. Building off of what students learned in Unit 2, Pinky and Rex, students will explore what it means for two people to be friends and how friends are able to help each other by examining the somewhat unusual friendship between Freddie and Mr. Vaslov, an older man who lives and works in Freddie’s apartment building. Over the course of the unit students will also be challenged to think about what it means to be a superhero, and the differences between using “super” powers and brain power to solve problems. It is important to note that these books are part of a beginning chapter book series; therefore, there are aspects of the plot that are less developed or not as powerful as other books that students read in the progression. The chapter book series does, however, introduce students to a male Hispanic protagonist, something that is often missing from children’s literature, and helps students explore similar themes and topics from other units with texts that are accessible. It is our hope that this unit, in connection with other units from the sequence, will set students up for success in reading and understanding longer chapter books.

This unit should be done predominately as shared or independent reading; therefore, this unit gives students a chance to practice the reading skills they have developed in previous units. Similar to with Pinky and Rex, students will be challenged to think about how authors develop characters over the course of a single text and how that understanding builds as they read more books in a series about the same characters. Particularly, students will focus on character motivation and what motivates both of the main characters, Freddie and Mr. Vaslov. Students will also begin to notice the different types of descriptive language authors include, specifically figurative language, and how figurative language helps a reader better understand characters and how they are feeling. Finally, students will begin to notice how chapter titles are a clue for what is important in a chapter and can be used to guide retells and summaries of the key events within a chapter.

Subject:
Composition and Rhetoric
English Language Arts
Language, Grammar and Vocabulary
Reading Foundation Skills
Reading Literature
Speaking and Listening
Material Type:
Assessment
Homework/Assignment
Lesson Plan
Unit of Study
Provider:
Match Fishtank
Provider Set:
Fishtank ELA
Date Added:
01/01/2017
MoreLess