In 2016, Oxford Dictionaries chose "post-truth" as the word of the year. As literacy has shifted from published hardcopy to an online landscape, it is more important than ever to engage and empower students in navigating the complicated battleground of fake news versus responsible, fact-based news. In this multi-day lesson, students will 1) examine terms associated with “fake news” and evaluate sources for their reliability and authenticity, and 2) develop a set of norms for responsible use of online news sources that spans academic and personal interaction with media.

Students will develop criteria for determining statements of opinion and fact. Students will practice discerning statements of opinion in advertisements.  This is Part 2 of a 5 Part Unit Media Manipulation: What Are They Really Saying? 

Students will begin to understand the concept of maps by describing the path that Little Red Riding Hood took on the way to Grandma's house. Main Curriculum Tie: Social Studies - Kindergarten, Standard 3 Objective 1, Identify geographic terms that describe their surroundings. Many fairy tales and nursery rhymes take the characters on a path through the rhyme/story. In this lesson, we will be making up maps for the characters to follow. In the first activity, the class will be recreating a map of the path that Little Red Riding Hood takes to Grandma’s house. The students will be exploring basic map directions and characteristics.

In this unit students explore and experience the works of five award winning authors and illustrators; Grace Lin, Yuyi Morales, John Parra, Monica Brown and Jerry Pinkney. Students learn about each author or illustrator's life and his or her inspiration for becoming an author and/or illustrator. Students will think critically and make connections between the author or illustrator's life and the stories he or she writes or illustrates, and how each author's unique personality is reflected in the words or pictures. By studying a wide variety of authors and illustrators, it is our hope that the foundations will be set for a life-long interest in reading and books. Author studies help students develop a deeper attachment to books while also noticing and identifying the many different ways in which authors write. It is also our hope that students will use the authors in this unit as writing mentors, mimicking the author's style while also building confidence in their own writing and unique ideas. Another underlying focus of this unit is on helping students identify and explain why certain books win awards, and the types of awards that are given. In future units and grades students will read additional award winning stories written or illustrated by the different authors and illustrators from the unit. In reading this unit builds on the first three units and assumes that students are inquisitive consumers of text, asking and answering questions while listening to and enjoying a story. Students will continue to work on retelling a story, including key details about setting, characters and major events. Students will also continue to be challenged to'read' the illustrations and think about how the illustrations help a reader better understand what is happening in the story. At the end of this unit, students should also be able to clearly articulate and define the role of the author and illustrator and why they are both important. In writing students will continue to write daily in response to the text. At this point, students should be able to draw or write an answer that correctly answers the question. In this unit, students will be challenged to details to their writing to show a deeper understanding of the question. Over the course of the unit students will also write opinion pieces about which book by the author or illustrator was their favorite and why.

In this unit students explore and experience the works of five award winning authors and illustrators; Grace Lin, Yuyi Morales, John Parra, Monica Brown and Jerry Pinkney. Students learn about each author or illustrator’s life and his or her inspiration for becoming an author and/or illustrator. Students will think critically and make connections between the author or illustrator’s life and the stories he or she writes or illustrates, and how each author’s unique personality is reflected in the words or pictures. By studying a wide variety of authors and illustrators, it is our hope that the foundations will be set for a life-long interest in reading and books. Author studies help students develop a deeper attachment to books while also noticing and identifying the many different ways in which authors write. It is also our hope that students will use the authors in this unit as writing mentors, mimicking the author’s style while also building confidence in their own writing and unique ideas. Another underlying focus of this unit is on helping students identify and explain why certain books win awards, and the types of awards that are given. In future units and grades students will read additional award winning stories written or illustrated by the different authors and illustrators from the unit.

In reading this unit builds on the first three units and assumes that students are inquisitive consumers of text, asking and answering questions while listening to and enjoying a story. Students will continue to work on retelling a story, including key details about setting, characters and major events. Students will also continue to be challenged to “read” the illustrations and think about how the illustrations help a reader better understand what is happening in the story. At the end of this unit, students should also be able to clearly articulate and define the role of the author and illustrator and why they are both important.

In writing students will continue to write daily in response to the text. At this point, students should be able to draw or write an answer that correctly answers the question. In this unit, students will be challenged to details to their writing to show a deeper understanding of the question. Over the course of the unit students will also write opinion pieces about which book by the author or illustrator was their favorite and why.

In this unit, students are exposed to familiar stories with predictable patterns and illustrations. Exposure to predictable texts is incredibly important for beginning readers as they begin to explore the world of reading independently. Predictable texts are incredibly engaging for students, allowing them to anticipate words, phrases, and events on their own and better follow the storyline sequence of a story. The story patterns also allow students to try and read the stories on their own, using the repetitive texts and pictures as a guide for either reading or pretending to read the story. Predictable texts are also incredibly important for exposing students to phonological awareness concepts in context, particularly rhyme, rhythm, and fluency. In order for students to reap these benefits, however, they need to deeply engage with the stories. This means that the stories need to be read, reread, retold, and reread some more so that students are able to build the confidence they need to pretend to read or read the text on their own. Within the context of this unit, students are only exposed to the text once; therefore, it is the responsibility of the teacher to find ways to bring the stories to life in other parts of the day so that students are able to reap the rewards of engaging with predictable texts or, if necessary, to slow down the pacing of the unit in order to include multiple readings of a text.In reading, students will continue to be challenged to ask and answer questions about the texts they read daily. Students will begin to work on retelling what happens to the characters in the story, using key details from the text and illustrations. Because the stories are repetitive in nature, this unit provides a strong foundation for teaching how to retell a story. Another focus of this unit is on understanding how authors and illustrators use illustrations and repetition to help a reader understand the main events in a story. Students will learn how to closely'read' illustrations for subtle clues about character feeling or foreshadowing clues for what is going to happen next in a story. In order to engage deeply in the content, students will continue to develop active participation and discussion habits, allowing them to learn from and with one another.In writing, students will continue to write daily in response to the text. In Unit 1, the focus was on establishing the routines and procedures necessary for daily writing about reading. In this unit, students will continue to write daily in response to the text with a focus on using words and pictures to correctly answer the question.

In this unit, students are exposed to familiar stories with predictable patterns and illustrations. Exposure to predictable texts is incredibly important for beginning readers as they begin to explore the world of reading independently. Predictable texts are incredibly engaging for students, allowing them to anticipate words, phrases, and events on their own and better follow the storyline sequence of a story. The story patterns also allow students to try and read the stories on their own, using the repetitive texts and pictures as a guide for either reading or pretending to read the story. Predictable texts are also incredibly important for exposing students to phonological awareness concepts in context, particularly rhyme, rhythm, and fluency. In order for students to reap these benefits, however, they need to deeply engage with the stories. This means that the stories need to be read, reread, retold, and reread some more so that students are able to build the confidence they need to pretend to read or read the text on their own. Within the context of this unit, students are only exposed to the text once; therefore, it is the responsibility of the teacher to find ways to bring the stories to life in other parts of the day so that students are able to reap the rewards of engaging with predictable texts or, if necessary, to slow down the pacing of the unit in order to include multiple readings of a text.

In reading, students will continue to be challenged to ask and answer questions about the texts they read daily. Students will begin to work on retelling what happens to the characters in the story, using key details from the text and illustrations. Because the stories are repetitive in nature, this unit provides a strong foundation for teaching how to retell a story. Another focus of this unit is on understanding how authors and illustrators use illustrations and repetition to help a reader understand the main events in a story. Students will learn how to closely “read” illustrations for subtle clues about character feeling or foreshadowing clues for what is going to happen next in a story. In order to engage deeply in the content, students will continue to develop active participation and discussion habits, allowing them to learn from and with one another.

In writing, students will continue to write daily in response to the text. In Unit 1, the focus was on establishing the routines and procedures necessary for daily writing about reading. In this unit, students will continue to write daily in response to the text with a focus on using words and pictures to correctly answer the question.

This video is part of the Learn and Grow with WHRO TV series. Watch Carolyn Harris teach about the -op , -ot, -og word families.

Module 2: Students will explore persuasive writing about foods and restaurants. They will also start on their independent opinion writing- to persuade readers to try a favorite (ethnic) food/ restaurant. Please note that this particular Roadmap is a self-directed, project-based extension to a curriculum arc focused on the notion of food as central to our culture.

AFTER an unequivocal experience of the inefficiency of the subsisting federal government, you are called upon to deliberate on a new Constitution for the United States of America. The subject speaks its own importance; comprehending in its consequences nothing less than the existence of the union, the safety and welfare of the parts of which it is composed, the fate of an empire in many respects the most interesting in the world. It has been frequently remarked that it seems to have been reserved to the people of this country, by their conduct and example, to decide the important question, whether societies of men are really capable or not of establishing good government from reflection and choice, or whether they are forever destined to depend for their political constitutions on accident and force. If there be any truth in the remark, the crisis at which we are arrived may with propriety be regarded as the era in which that decision is to be made; and a wrong election of the part we shall act may, in this view, deserve to be considered as the general misfortune of mankind.

Opening A: I can review what I have learned about syllables and rhymes. (RF.K.2, RF.K.3)
I can listen to a list of words and identify which one does not rhyme.
I can listen to the same set of CVC (consonant, vowel, consonant) words and pronounce the final consonant phoneme (sound) in the word.
I can count the syllables in a spoken word.
I can segment (break apart) and pronounce separate syllables in a spoken word.
I can blend separate syllables to form a spoken word.
When given a word, I can create a new rhyming word by changing the first sound in the word.
Work Time A: I can feel and count the syllables (beats) in the words of a poem.
I can segment and blend the onset (beginning sound) and rime (ending chunk) of a one-syllable word. (RF.K.2)
I can count the syllables in a spoken word.
I can segment (break apart) and pronounce separate syllables in a spoken word.
I can blend separate syllables to form a spoken word.
I can blend onset and rime in a single-syllable word.
I can segment onset and rime in a single-syllable word.

Opening A: I can identify the name and sound for the letters "a," "t," "h," "p," "c," "n," "m," "r," "s," and "v." (RF.K.3)
I can identify the name of each uppercase letter.
I can look at each consonant and say its sound.
Work Time A: I can feel and count the syllables (beats) in the words of a poem. (RF.K.2)
I can count the syllables in a spoken word.
I can segment (break apart) and pronounce separate syllables in a spoken word.
I can blend separate syllables to form a spoken word.

Module 3: Students will explore learning about famous cultural festivals and foods. They will also start on their independent how-to writing to teach readers how to cook a favorite (ethnic) food. Please note that this particular Roadmap is a self-directed, project-based extension to a curriculum arc focused on the notion of food as central to our culture.

In this unit students begin to explore the concepts of fairness and justice. Over the course of the unit students are exposed to numerous ordinary people who worked together to overcome injustice and fight for a better future for others. Students will grapple with what it means if something is fair and just, particularly in regard to race, class, gender, and ability. Then students will be challenged to think about the different ways in which people showed courage, patience, and perseverance in order to challenge things that were fundamentally unfair. Over the course of the unit it is our hope that students are able to acknowledge and realize that things aren’t always fair in the world around them, but that doesn’t mean that it always has to be that way. It is our hope that students see that identifying the problem is only the first step and that anyone who has the right mindset and beliefs can inspire others to work together to create a more just future for everyone. Essentially, we hope that this unit begins to plant the seed within our students that they can be activists and take charge of their own lives and communities. No one is too young to inspire change. It is important to note that this unit primarily focuses on big-scale changes. Additional projects and lessons should be added to help students understand how what they learned connects to change on a smaller scale.

In reading, students will continue to work on developing their informational reading strategies, particularly when reading a collection of narrative nonfiction texts. The focus of this unit is on reinforcing and practicing targeted informational strategies in the context of a narrative structure. In particular, students will be pushed to describe the connection between individuals, events, and pieces of information. Students will also be challenged to think about the reasons an author gives to support a point and how those reasons look slightly different in a narrative informational text than in a scientific or history-based informational text.

In writing, students will continue to work on writing responses to the text that provide relevant and accurate information along with some evidence of inferential or critical thinking.

In this unit students begin to explore the concepts of fairness and justice. Over the course of the unit students are exposed to numerous ordinary people who worked together to overcome injustice and fight for a better future for others. Students will grapple with what it means if something is fair and just, particularly in regard to race, class, gender, and ability. Then students will be challenged to think about the different ways in which people showed courage, patience, and perseverance in order to challenge things that were fundamentally unfair. Over the course of the unit it is our hope that students are able to acknowledge and realize that things aren't always fair in the world around them, but that doesn't mean that it always has to be that way. It is our hope that students see that identifying the problem is only the first step and that anyone who has the right mindset and beliefs can inspire others to work together to create a more just future for everyone. Essentially, we hope that this unit begins to plant the seed within our students that they can be activists and take charge of their own lives and communities. No one is too young to inspire change. It is important to note that this unit primarily focuses on big-scale changes. Additional projects and lessons should be added to help students understand how what they learned connects to change on a smaller scale. In reading, students will continue to work on developing their informational reading strategies, particularly when reading a collection of narrative nonfiction texts. The focus of this unit is on reinforcing and practicing targeted informational strategies in the context of a narrative structure. In particular, students will be pushed to describe the connection between individuals, events, and pieces of information. Students will also be challenged to think about the reasons an author gives to support a point and how those reasons look slightly different in a narrative informational text than in a scientific or history-based informational text. In writing, students will continue to work on writing responses to the text that provide relevant and accurate information along with some evidence of inferential or critical thinking.

In this unit students study the Civil Rights Movement through the eyes of the youth and children who experienced the struggles, hardships, victories, defeats, and possibilities firsthand. Students will be challenged to analyze the key characteristics shared by children who participated in the Civil Rights Movement, particularly their courage, commitment, bravery, and unending commitment to fighting for the cause. Over the course of the unit students will realize that through community organizing and a strong desire for justice, regular people, especially youth, were able to come together to use a variety of nonviolent tactics to fight for change, even when faced with resistance, oppression, and violence on a daily basis. The stories and experiences in the unit will highlight that the Civil Rights Movement was driven by the heroism of regular people and that anyone can participate in the fight against injustice. It is our hope that this unit, in conjunction with other units from the sequence, will empower students to notice and challenge the injustices, relying on their knowledge of history and the lessons they’ve learned from those who have fought before them.

In this unit students refine their skills as critical consumers of texts by analyzing the point of view from which a text is written and noticing how the point of view influences what and how information is presented to a reader. Students will read multiple accounts of the same topic or event and be challenged to notice the similarities and differences in the points of view they represent and how the author uses evidence and reasons to support a particular point of view. Photographs are an important part of the texts in the unit. Students will be pushed to analyze photographs as a source of information to support an author’s point. Students will also continue to practice determining one or more main ideas of a text and explaining how they are supported by key details, summarizing a text, and explaining the relationship between one or more events or individuals in a historical text. Over the course of the unit students will also be required to access information from multiple sources in order to integrate information and draw conclusions about an event or topic.

This lesson introduces the difference between literal and figurative language and then gives an overview on similes, metaphors, idioms, hyperbole, onomatopoeia and alliteration. The attached PowerPoint explains each of the figurative language with an example.

This is a SoftChalk lesson reviewing the figurative language terms simile, metaphor, personification, imagery, and symbolism.