Students explore the elements of a digital story and the story planning process using a 5 step process: Find, Craft, Feedback & Revision, Gather Media, Finalize & Produce.
In this learning object, students will learn how to address word choice, points of view, active vs. passive voice, and bias in their formal academic writing.
In this unit, students read the core texts The Hundred Dresses and Garvey’s Choice as a way of exploring what it means to be accepting and tolerant of themselves and others. The Hundred Dresses challenges students to think about the different roles associated with bullying through the eyes of the narrator, who struggles with her own involvement with a classmate who is bullied. Garvey’s Choice illustrates the way others influence the way we see ourselves, both positively and negatively, and the power of accepting ourselves by tracing Garvey’s path to self-discovery and acceptance. Both texts are full of moments and messages that are easily relatable for students at this grade level. Therefore, it is our hope that the experiences of the characters in both texts will serve as a neutral launching point for deeper discussions about bullying, tolerance, acceptance, and forgiveness.
In reading, the main focus of the unit is on identifying and tracing the central message across a longer text. Over the course of the text, students will develop a deep understanding of each character’s thoughts, feelings, and motivations, which will help them identify and explain how the central message is developed and conveyed through the characters. Students will also begin to understand how successive parts of a text build on each other to push the plot forward. Particularly with Garvey’s Choice, students will analyze the genre features of novels written in verse and how each part helps build and develop the central message. This unit also focused on point of view. Students will begin to notice the point of view in which a story is told and compare that with their own point of view.
Students will practice looking at a topic from multiple points of view, and will discuss whose voices are amplified and whose voices are silenced. This lesson is part of a media unit curated at our Digital Citizenship website called "Who Am I Online?".
In this unit students explore the Taliban influence on the Middle East through the eyes of multiple young women. In the core text, The Breadwinner, students experience how the Taliban presence in Afghanistan drastically altered Parvana and her family’s life. Students will be challenged to think about what constitutes basic human rights and the way in which the Taliban violated the human rights of many Afghanistan citizens. Students will also be challenged to think about women’s rights, especially in regard to education and freedom, and how both were constantly at risk under Taliban rule. Finally, students will realize that a positive attitude, dedication to family, and drive to be self-reliant can help people survive, and thrive, in the worst of situations. In the second part of the unit, students read about the experiences of real children living in Afghanistan after the Taliban left. Through those experiences, students explore how education and women’s rights are still restricted in Afghanistan and grapple with what it will take to create a society where women have access to the same basic freedoms as men. In the last part of the unit, students meet Malala Yousafzai and analyze how her positive attitude and drive help her fight for women’s rights in Pakistan despite facing incredible challenges and threats. Over the course of the entire unit, it is our hope that students will build a deeper understanding of the importance of women’s rights and access to education around the world, particularly in the Middle East.
As readers, this unit builds onto unit one by pushing students to compare and contrast characters and analyze character point of view at an even deeper level. Students will be challenged to close read the text, make accurate annotations, and quote accurately in order to develop theories about key characters in and across texts. In this unit, students will also begin to use informational texts, particularly memories and first-person accounts, to help build a deeper understanding of fiction texts. The focus for informational reading is similar to the focus for fiction, and students will analyze how the point of view influences the way in which events are described.
In this unit students dive into the world of Greek mythology. Over the course of the unit students will read the classic myths of Pandora, Arachne, and Echo and Narcissus. In reading the myths, students will gain a deeper understanding of the gods and mortals in ancient Greece and how the ancient Greeks used mythology as a way to make sense of and interpret the world around them. Students will also continue the thematic exploration from previous units about how a person’s beliefs, ethics, or values influence that person’s behavior.
Over the course of the unit, students will read multiple versions of the classic myths. The primary focus of this unit is on close reading and analyzing the differences among the versions and critically analyzing an author’s choice of genre. In doing so, students will be challenged to think about how the structural elements of different genres, particularly prose, drama, and verse, allow a reader to better understand a story or text. Students will also explore how the point of view in which a story is written, either third-person point of view or first-person point of view, changes the way a story is told and the depth of information that a reader knows. Another focus of this unit is determining the central theme of the myths. Because the stories in this unit are shorter than the novels students have read so far, this unit offers students practice in finding the theme of a shorter text and explaining how the author uses evidence to develop the theme.
In this unit students study the Civil Rights Movement through the eyes of the youth and children who experienced the struggles, hardships, victories, defeats, and possibilities firsthand. Students will be challenged to analyze the key characteristics shared by children who participated in the Civil Rights Movement, particularly their courage, commitment, bravery, and unending commitment to fighting for the cause. Over the course of the unit students will realize that through community organizing and a strong desire for justice, regular people, especially youth, were able to come together to use a variety of nonviolent tactics to fight for change, even when faced with resistance, oppression, and violence on a daily basis. The stories and experiences in the unit will highlight that the Civil Rights Movement was driven by the heroism of regular people and that anyone can participate in the fight against injustice. It is our hope that this unit, in conjunction with other units from the sequence, will empower students to notice and challenge the injustices, relying on their knowledge of history and the lessons they’ve learned from those who have fought before them.
In this unit students refine their skills as critical consumers of texts by analyzing the point of view from which a text is written and noticing how the point of view influences what and how information is presented to a reader. Students will read multiple accounts of the same topic or event and be challenged to notice the similarities and differences in the points of view they represent and how the author uses evidence and reasons to support a particular point of view. Photographs are an important part of the texts in the unit. Students will be pushed to analyze photographs as a source of information to support an author’s point. Students will also continue to practice determining one or more main ideas of a text and explaining how they are supported by key details, summarizing a text, and explaining the relationship between one or more events or individuals in a historical text. Over the course of the unit students will also be required to access information from multiple sources in order to integrate information and draw conclusions about an event or topic.
Using the topic of Mythology, students will work through various activities to learn the characteristics of a Narrative Essay. This particular unit will/should take place prior to writing the Narrative Essay. Many of the lessons address how to identify, create, apply and analyze point of view, theme, dialogue punctuation, argumenative qualities and citing direct and indirect evidence.
This unit shows instructional approaches that are likely to help ELLs meet new standards in English Language Arts. Built around a set of famous persuasive speeches, the unit supports students in reading a range of complex texts. It invites them to write and speak in a variety of ways and for different audiences and purposes. Students engage in close reading of Abraham Lincoln's Gettysburg Address, Martin Luther King, Jr.'s I Have a Dream speech, Aristotleí˘äĺä˘s Three Appeals, Robert Kennedyí˘äĺä˘s On the Assassination of Martin Luther King, and George Wallaceí˘äĺä˘s The Civil Rights Movement: Fraud, Sham, and Hoax, Barbara Jordaní˘äĺä˘s All Together Now. The five lesson culminate with student's constructing their own persuasive texts.
Lesson OverviewIn this lesson, students will be introduced to Edgar Allan Poe's theory on the “single effect” of the short story. They will read a passage from Poe as well as his short story “The Tell-Tale Heart.”Lesson PreparationRead the lesson and student content.Anticipate student difficulties and identify the differentiation options you will choose for working with your students.Decide how you will put students in pairs for the lesson's tasks.
This unit serves as a launch to fifth grade literature. By reading the core text, Seedfolks, students will explore what it means to be part of a community and how the actions of one person can positively impact an entire community. Students will grapple with how being part of a community can help a person change and evolve as they discover new things about themselves. Students will also wrestle with how prejudice and racism impact the way people treat each other and the ways in which both can influence an entire community. It is our hope that this unit helps establish a strong classroom community and that the characters in Seedfolks can serve as a model for how people from all walks of life can come together to be part of a strong, productive community.
The text Seedfolks was chosen not only because of its portrayal of the power of community, but also because of the unique structure of the text. Each chapter is told from a different character’s point of view and shows how as the garden grows, the character’s hearts grow bigger and their worldview and compassion grow. The structure of the text allows for students to begin exploring two key fifth grade standards, comparing and contrasting two or more characters and describing how a narrator’s or speaker’s point of view influences how events are described. Since this is the first unit of the year, an underlying focus of the unit should also be on establishing expectations for annotation, discussion, and vocabulary.
In this unit, students begin to grapple with the overarching question of how a person develops values, identities, and beliefs while reading the novel Shiloh. Marty, the main character in Shiloh, sees someone mistreating a dog and thinks it’s his right and responsibility to step in to save the dog, even if the dog doesn’t belong to him. His action raises a question for readers about when an individual should step in to take a stand against what he/she believes to be an injustice. His action also causes readers to consider how different people, depending on their values, identities and beliefs, may have different opinions on what constitutes an injustice. Students will be challenged to take a stand on both of these ideas, based on the experiences and opinions of the different characters in Shiloh. Students will also be exposed to the idea of courage, and what it means to show courage, especially in situations where you are standing up for what you believe in. It is our hope that this unit will inspire students to grapple with these questions at a deeper level and understand the power of showing courage to fight for the things they believe in, no matter what obstacles they may face.
Shiloh was chosen as the text for this unit not only because of the powerful themes, but because of the way in which Phyllis Reynolds Naylor artfully develops the setting, characters and plot. In this unit, students will be challenged to think deeply about how the details an author includes help a reader better understand a character’s thoughts and actions. The setting of Shiloh in rural West Virginia in the 1970s allows students to deeply analyze how an author develops setting, and how the setting of a text influences the characters. Finally, students will begin to notice how the point of view of a story influences the way a story is told.
Studies the relations between literature (primarily of the Renaissance and Early Modern periods) and the technologies associated with its production and dissemination. Instruction and practice in oral and written communication. Topic for Spring: Hypertexts and Hyperrealities. This course explores the properties of non-sequential, multi-linear, and interactive forms of narratives as they have evolved from print to digital media. Works covered in this course range from the Talmud, classics of non-linear novels, experimental literature, early sound and film experiments to recent multi-linear and interactive films and games. The study of the structural properties of narratives that experiment with digression, multiple points of view, disruptions of time, space, and of storyline is complemented by theoretical texts about authorship/readership, plot/story, properties of digital media and hypertext. Questions that will be addressed in this course include: How can we define "non-sequentiality/multi-linearity", "interactivity", "narrative". To what extend are these aspects determined by the text, the reader, the digital format? What are the roles of the reader and the author? What kinds of narratives are especially suited for a non-linear/interactive format? Are there stories that can only be told in a digital format? What can we learn from early non-digital examples of non-linear and interactive story telling?
A poetry lesson that is housed in a hyperdoc and includes point of view and poetry analysis
This course is an introduction to the short story. Students will write stories and short descriptive sketches. Students will read great short stories and participate in class discussions of students' writing and the assigned stories in their historical and social contexts.