Establishes basic attitudes toward architectural organization and its reflection in form. Includes …
Establishes basic attitudes toward architectural organization and its reflection in form. Includes projects where imposed conditions of site, program, and building system emphasize the interrelationship of fundamental elements in the pattern of decision-making that constitutes architectural design. Develops presentations through drawings and models. Intended for entering M.Arch. students. Course Description This studio explores the notion of in-between by engaging several relationships; the relationship between intervention and perception, between representation and notation and between the fixed and the temporal. In the Exactitude in Science, Jorge Luis Borges tells the perverse tale of the one to one scale map, where the desire for precision and power leads to the escalating production of larger and more accurate maps of the territory. For Jean Baudrillard, "The territory no longer precedes the map nor survives it. ĺÉit is the map that precedes the territory... and thus, it would be the territory whose shreds are slowly rotting across the map." The map or the territory, left to ruin-shredding across the 'other', beautifully captures the tension between reality and representation. Mediating between collective desire and territorial surface, maps filter, create, frame, scale, orient, and project. A map has agency. It is not merely representational but operational, the experience and discursive potential of this process lies in the reciprocity between the representation and the real. It is in-between these specific sets of relationships that this studio positions itself.
Finding themselves in the middle of the Amazon rainforest after a plane …
Finding themselves in the middle of the Amazon rainforest after a plane crash, students use map scales, keys, and longitude and latitude coordinates to figure out where they are. Then they work in groups to generate ideas and make plans. They decide where they should go to be rescued, the distance to that location, the route to take, and make calculations to estimate walking travel time.
Vera Cubero created this framework to establish a common understanding between students …
Vera Cubero created this framework to establish a common understanding between students and teachers regarding AI use in assignments. It addresses both the disclosure requirements and extent of AI usage.
Unit 1: Scale Drawings Lesson 2: Corresponding Parts and Scale Factors This …
Unit 1: Scale Drawings Lesson 2: Corresponding Parts and Scale Factors
This lesson develops the vocabulary for talking about scaling and scaled copies more precisely (MP6), and identifying the structures in common between two figures (MP7).
Specifically, students learn to use the term corresponding to refer to a pair of points, segments, or angles in two figures that are scaled copies. Students also begin to describe the numerical relationship between the corresponding lengths in two figures using a scale factor. They see that when two figures are scaled copies of one another, the same scale factor relates their corresponding lengths. They practice identifying scale factors.
A look at the angles of scaled copies also begins here. Students use tracing paper to trace and compare angles in an original figure and its copies. They observe that in scaled copies the measures of corresponding angles are equal.
In this lesson, students find their location on a map using Latitude …
In this lesson, students find their location on a map using Latitude and Longitudinal coordinates. They determine where they should go to be rescued and how best to get there.
Students are introduced to detail drawings and the importance of clearly documenting …
Students are introduced to detail drawings and the importance of clearly documenting and communicating their designs. They are introduced to the American National Standards Institute (ANSI) Y14.5 standard, which controls how engineers communicate and archive design information. They are introduced to standard paper sizes and drawing view conventions, which are major components of the Y14.5 standard.
In this lesson, students learn how to determine location by triangulation. We …
In this lesson, students learn how to determine location by triangulation. We describe the process of triangulation and practice finding your location on a worksheet, in the classroom, and outdoors.
This is a task from the Illustrative Mathematics website that is one …
This is a task from the Illustrative Mathematics website that is one part of a complete illustration of the standard to which it is aligned. Each task has at least one solution and some commentary that addresses important aspects of the task and its potential use. Here are the first few lines of the commentary for this task: Kipton has a digital scale. He puts a marshmallow on the scale and it reads 7.2 grams. How much would you expect 10 marshmallows to weigh? Why?
An introduction to the analysis of tonal music. Students develop analytical techniques …
An introduction to the analysis of tonal music. Students develop analytical techniques based upon concepts learned in Harmony and Counterpoint I and II. Students study harmony, counterpoint, melodic line and motivic relationships at local and large scale levels of musical structure. Three 7-page papers, one revised paper, and one oral presentation required.
In this video from Cyberchase, the CyberSquad helps Ms. Fileshare realize that …
In this video from Cyberchase, the CyberSquad helps Ms. Fileshare realize that Hacker has been deceiving her as they take a look at the scale of a bar graph.
Students build scale models of objects of their choice. In class they …
Students build scale models of objects of their choice. In class they measure the original object and pick a scale, deciding either to scale it up or scale it down. Then they create the models at home. Students give two presentations along the way, one after their calculations are done, and another after the models are completed. They learn how engineers use scale models in their designs of structures, products and systems. Two student worksheets as well as rubrics for project and presentation expectations and grading are provided.
Students learn how to determine map distances and areas using the map …
Students learn how to determine map distances and areas using the map scale. They get a feel for how much an area represents on the map in relation to the size they are suggesting for their underground caverns to shelter the Alabraska population.
Students learn about contact stress and its applications in engineering. They are …
Students learn about contact stress and its applications in engineering. They are introduced to the concept of heavy loads, such as buildings, elephants, people and traffic, and learn how those heavy loads apply contact stress. Through the analysis of their own footprints, students determine their contact stress.
Maps are designed to allow people to travel to a new location …
Maps are designed to allow people to travel to a new location without a guide to show the way. They tell us information about areas to which we may or may not have ever been. There are many types of maps available for both recreational and professional use. A navigator uses a nautical map, while an engineer might use a surveyor's map. Maps are created by cartographers, and they can be very specific or very general, depending on their intended use. The focus of this lesson is on how to read and use topographical maps. Students will also learn to identify the common features of a map. Through the associated activities, students will learn how to use a compass to find bearing to an object on a map and in the classroom.
Unit 1: Scale Drawings Lesson 1: What are Scaled Copies? This lesson …
Unit 1: Scale Drawings Lesson 1: What are Scaled Copies?
This lesson introduces students to the idea of a scaled copy of a picture or a figure. Students learn to distinguish scaled copies from those that are not—first informally, and later, with increasing precision. They may start by saying that scaled copies have the same shape as the original figure, or that they do not appear to be distorted in any way, though they may have a different size. Next, they notice that the lengths of segments in a scaled copy vary from the lengths in the original figure in a uniform way. For instance, if a segment in a scaled copy is half the length of its counterpart in the original, then all other segments in the copy are also half the length of their original counterparts. Students work toward articulating the characteristics of scaled copies quantitatively (e.g., “all the segments are twice as long,” “all the lengths have shrunk by one third,” or “all the segments are one-fourth the size of the segments in the original”), articulating the relationships carefully (MP6) along the way.
The lesson is designed to be accessible to all students regardless of prior knowledge, and to encourage students to make sense of problems and persevere in solving them (MP1) from the very beginning of the course.
Students are introduced to the nano-size length scale as they make measurements …
Students are introduced to the nano-size length scale as they make measurements and calculate unit conversions. They measure common objects and convert their units to nanometers, giving them a simple reference frame for understanding the very small size of nanometers. Then, they compare provided length data from objects too small to measure, such as a human hair and a flea, giving them a comparative insight to the nanotechnology scale. Using familiar and common objects for comparison helps students understand more complex scientific concepts.
" This course builds on the composition techniques practiced in 21M.303 Writing …
" This course builds on the composition techniques practiced in 21M.303 Writing in Tonal Forms I. Students undertake further written and analytic exercises in tonal music, including a sonata-form movement for string quartet. Students will also have the opportunity to write short works that experiment with the expanded tonal techniques of the late 19th and early 20th centuries. Musicianship laboratory is required."
" Written and analytic exercises based on 18th- and 19th-century small forms …
" Written and analytic exercises based on 18th- and 19th-century small forms and harmonic practice found in music such as the chorale preludes of Bach; minuets and trios of Haydn, Mozart, and Beethoven; and the songs and character pieces of Schubert and Schumann. Musicianship laboratory is required."
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